{{#icon}}
{{/icon}}
{{#kicker}}
{{/kicker}}
{{/breakingNews}}
{{#dynamic}}
{{#url}}
{{ kicker }}
{{/url}}
{{^url}}
{{ kicker }}
{{/url}}
{{#url}}
{{ title }}
{{/url}}
{{^url}}
{{ title }}
{{/url}}
{{#icon}}
{{/icon}}
{{#kicker}}
{{/kicker}}
{{/breakingNews}}
{{#dynamic}}
{{#url}}
{{ kicker }}
{{/url}}
{{^url}}
{{ kicker }}
{{/url}}
{{#url}}
{{ title }}
{{/url}}
{{^url}}
{{ title }}
{{/url}}
{{#icon}}
{{/icon}}
{{#kicker}}
{{/kicker}}
{{/breakingNews}}
{{#dynamic}}
{{#url}}
{{ kicker }}
{{/url}}
{{^url}}
{{ kicker }}
{{/url}}
{{#url}}
{{ title }}
{{/url}}
{{^url}}
{{ title }}
{{/url}}
La batuta mágica 13.03.2022
Your browser doesn’t support HTML5 audio
Recordamos al director de orquesta James Levine con obras de Verdi –Ballet de “Aida”-, Massenet –“Meditación” de la ópera “Thaïs”-, Elgar –arreglo de las 4 Marchas de “Pompa y circunstancia”-, Rossini –Obertura de “El barbero de Sevilla”-, Gershwin –“Rhapsody in blue”-, Prokófiev –Finale de la Sinfonía nº 1-, y Puccini –Dúo de “Manon Lescaut”-.
{{#href}} {{ text }} {{/href}} {{^href}} {{ text }} {{/href}}
{{#kicker}}
{{#text}}
{{#href}} {{ text }} {{/href}} {{^href}} {{ text }} {{/href}}
{{/text}} {{/kicker}} {{#title}} {{#text}}{{#href}} {{ text }} {{/href}} {{^href}} {{ text }} {{/href}}
{{/text}} {{/title}}{{#href}} {{ text }} {{/href}} {{^href}} {{ text }} {{/href}}
{{#kicker}}
{{#text}}
{{#href}} {{ text }} {{/href}} {{^href}} {{ text }} {{/href}}
{{/text}} {{/kicker}} {{#title}} {{#text}}